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After the compulsory program, Sovetsky Sport, the main sports newspaper of the USSR, printed its recap of the competition. Not surprisingly, the writer was complimentary toward the entire Soviet women’s artistic gymnastics team, adding delightful lines like, “For O. Korbut, with her unique tricks on uneven bars, performing the compulsories is as easy as shelling peas.” Of course, there were some rough spots on beam, but as the writer points out, all the teams struggled with beam.
As for the Soviet men, that was a different story. The newspaper only had good things to say about Andrianov and pointed out that Alexander Maleeev and Vladimir Shchukin did not have enough experience to be strong contributors to the team score.
Below, you can find a translation of Sovetsky Sport’s coverage.
Copyright: imago/Werner Schulze Nikolai Andrianov (UdSSR) – Barren
On Sunday, August 27, the men’s artistic gymnasts gathered in the Olympic Sports Hall for what could be a long haul.
This was the first Olympic Games with a separate all-around final. As a result, the top gymnasts faced four days of competition (compulsories, optionals, all-around finals, and event finals). Previously, they had had only three days of competition (compulsories, optionals, and event finals).
From the start, it looked like the status quo would be upheld: Japan with team gold, the Soviet Union with team silver, and East Germany with team bronze. (Meanwhile, the U.S. gymnasts had a disastrous compulsory round.)
Let’s take a look at what happened…
Akonori Nakayama, Photo by POOL / AFP via Getty Images
On Sunday, August 27, 1972, the women’s artistic gymnasts started the long slog of the Olympics. This was the first Olympic Games with a separate all-around final. As a result, the top gymnasts faced four days of competition (compulsories, optionals, all-around finals, and event finals). Previously, they had had only three days of competition (compulsories, optionals, and event finals).
From the start, it looked as if the Soviet Union and East Germany had gold and silver locked. But bronze was still up for grabs, and it would cause a lot of heartache in the U.S. gymnastics community.
Copyright: imago/Karl-Heinz Stana Irene Abel (DDR) – Pferdsprung
Today’s gymnastics fans may know Joan Moore as the mother of Ashleigh Gnat, a standout on the LSU gymnastics team. But in 1972, she was one of the best tumblers in the world, opening her floor routine with a high double full and doing a front layout — a rare skill that Japanese men’s artistic gymnast Nakayama Akinori also competed.
https://www.youtube.com/watch?v=FIBUkvlvzfQ
The Philadelphia newspapers wrote a lot about Moore, and their profiles raised perennial questions:
How can elite athletes balance school with training?
How do parents manage their children’s gymnastics careers?
Should the U.S. government do more to sponsor elite athletes?
How should gymnasts be educated?
How many stuffed mice does Joan Moore have?
Enjoy these profiles of Moore from before and after the Munich Olympics.
Kim Chace, Debbie Hill, Joan Moore, Roxanne Pierce, Linda Metheny, Nancy Thies, Cathy Rigby
In 1972, Cathy Rigby was the “it girl” in the United States. Not only had she won a silver medal on beam at the 1970 World Championships; the American public and media were enamored with her (and her looks). The Tribune out of San Luis Obispo printed:
Cathy Rigby looks more like a windup doll than a world-class athlete. She has a pixie face, large brown eyes, and her blond hair is usually tied in bows. Furthermore, she is only 4’11”, and weighs a mere 92 pounds, a stature that earns her the title “Peanut” from her coach, Bud Marquette, of the Southern California Acro Team of Long Beach. At 19, Cathy may be the finest all-around female gymnast in the world.
May 6, 1972
Famously, Rigby posed nude for Sports Illustrated in 1972 — a move that received backlash from both the FIG and her fellow teammates on the Olympic team. Linda Metheny reportedly was not pleased with the photos. The Dispatch out of Moline, IL, wrote:
There is even an interesting little squabble taking place among members of the United States women’s gymnastics team. Linda Metheny of Champaign, Ill., and Cathy Rigby of California are vying for the honor of being known as the nation’s outstanding female gymnast, and they aren’t friendly. When Miss Rigby’s nude photo appeared in a gymnastics pose in Sports Illustrated magazine this weekend, Miss Metheny — and presumably others — took offense.
At least that isn’t a political issue, and the gals may have scratched at each other and fought that issue out on the weekend plane ride to Germany.
The Dispatch, August 21, 1972
Even before the photos came out, the topics of nudity and gymnasts’ bodies were discussed in the same breath. In an article about the U.S. women’s performance in a dual meet with Japan, Ginny Coco stated:
“You want all the curves to be there in the right places,” said Mrs. Ginny Coco, women’s coach for the meet here, “but not at the level Hugh Hefner might want for the Playboy image. Voluptuous girls don’t win in gymnastics. You want lean, strong girls, the race horse type.”
Warren Times-Mirror and Observer, Feb. 3, 1972
When the articles focused on Cathy Rigby’s gymnastics rather than her appearance, they tended to portray her as a fearless trickster, who had a knack for learning skills quickly.
Here’s a small collection of profiles on Cathy Rigby from 1972…
Munich, Germany – 1972: Cathy Rigby competing in the Women’s gymnastics event at the 1972 Summer Olympics / Games of the XX Olympiad, Olympic Sports Hall. (Photo by Disney General Entertainment Content via Getty Images)
Note: The articles below will mention Rigby’s weight and eating habits. Rigby would later discuss her struggles with bulimia.
After World War II, Czechoslovakia was one of the powerhouses in women’s gymnastics. But in the lead-up to the Munich Olympics, they had dropped in the rankings. At the 1966 World Championships, they finished first. At the 1968 Olympics, they finished second. Then, at the 1970 World Championships, they were third. Nevertheless, Czechoslovakia was one of the favorites for bronze in Munich.
On the men’s side, the team had finished 4th at both the 1966 World Championships and the 1968 Olympic Games. But they dropped to 9th at the 1970 World Championships, which is where they finished in Munich. (Based on their scores at their national championships, a medal seemed out of the question.)
Here are the results for the 1972 Czechoslovak National Championships.
Who would make Japan’s men’s team for the Munich Olympics? The gymnastics world couldn’t wait to find out. As a Hungarian newspaper put it, “It is easier to win a gold medal than to get onto the Japanese national team.”
In the end, there were three members of the 1970 World Championship team (Nakayama, Tsukahara, and Kenmotsu), the 1968 Olympic All-Around Champion (Kato), the 1970 University Games All-Around Champion (Okamura), and Kasamatsu, who tied for fourth at the 1972 Riga International and won one of Japan’s qualifying competitions for Munich.
On the women’s side, the team was aiming for a bronze medal after its disappointing fourth-place finish in Mexico City.
What follows is a translation of the teams’ goals and the results from the selection competitions. This post also includes an article from Hungary on the men’s team selection.
MEXICO CITY, MEXICO – OCTOBER 24: Sawao Kato of Japan competes in the Floor of the Artistic Gymnastics Men’s Individual All-Around final during the Mexico City Summer Olympic Games at the National Auditorium on October 24, 1968 in Mexico City, Mexico. (Photo by The Asahi Shimbun via Getty Images)
At the beginning of 1972, the Japanese women’s and men’s teams did a tour of the United States. They stopped at San Fernando Valley State College, California State College at Fullerton, Chicago, Temple University, and Penn State. During the final stop, Nakayama Akinori scored a 10.00 on high bar.
Previously, when gymnasts like Čáslavská, Janz, or Zuchold scored 10s at their national championships, the numbers were reported in a tempered manner. But when Nakayama scored a 10.00 at Penn State, hundreds of words were dedicated to this moment in history. In many ways, the reporting on the dual meet in State College, PA, is a preview of the tone and hype that would appear at the 1976 Montreal Olympics.
So, with no further ado, here’s the article from the Centre Daily Times on January 31, 1972.
Note: Curiously, Gymnast‘s coverage of the 1972 Japanese tour did not mention the 10.00.
Nakayama Akinori, 1970, Ljubljana World Championships
At the 1968 Olympics, many outside Japan were surprised when Kato Sawao won. But within Japan, it was less of a surprise. Heading into the Olympics, Sasano Toshihiko said as much in the press:
Toshihiko Sasano, manager of the Japanese gymnastic team, said both men and women gymnasts are in best condition, particularly Yukio Endo and Sawao Kato.
The Yomiuri, Oct. 13, 1968
That’s because, as we’ll see below, Kato Sawao won Japan’s Olympic Trials, which were held months ahead of time — just as they are today.
As for the women’s team, they had finished third at the 1966 World Championships, and they had expectations for a team medal in Mexico City.
But in the two years between the Worlds and Olympics, there had been a changing of the guard. For example, Ikeda Keiko, who had finished third in the all-around at the World Championships in Dortmund, was no longer one of the top gymnasts in 1968.
Here are more details on Japan’s Olympic Trials for the Mexico City Olympics.
MEXICO CITY, MEXICO – OCTOBER 24: Sawao Kato of Japan competes in the Floor of the Artistic Gymnastics Men’s Individual All-Around final during the Mexico City Summer Olympic Games at the National Auditorium on October 24, 1968 in Mexico City, Mexico. (Photo by The Asahi Shimbun via Getty Images)
